Posts Tagged 'Eric Fischl'

More on Eric Fischl

Alec Baldwin, “Listen to This”, interviewed Eric Fischl on August 5 about his work, his creative process, and his book “Bad Boy.” You can listen to the complete interview (if you haven’t already, and if you aren’t full up on Fischl from my previous posts) at: http://www.wnyc.org/shows/heresthething/2013/aug/05/. It’s nice to hear his voice and listen to him speaking about his work in his own words without editing. I particularly relate to the section about monetizing everything we do in this culture and how receiving money for art that one has made with love requires artists to translate that back into love. Do you make your art out of love? When you sell your work (you do sell your work, right?), does the receipt of money feel like enough to you? Have you ever sold anything you wish you hadn’t?

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Channeling Eric Fischl

I have been trying to piece an image together from photos on the internet of 1950s furniture, clothing, and young girls in a seated pose. As I have no photographs of myself after the age of 9, much less any of the places I’ve lived, I have to find other ways of creating the images. Because the piece I am thinking through is fraught with emotional baggage, I don’t want to use children I know as models. But as I have been thinking about it some more, the idea of the image is gradually changing and possibly starting to take shape so that I’m starting to believe I can capture the emotional load of the original experience. I am less self-critical of my recent work in the Fairy Tale Series than I was feeling on Wednesday, which makes me feel better, not to mention more competent. But I’m still channeling Eric Fischl and trying to secure the confidence to work more transparently, and I’m still wishing for white walls and more space to work larger!

Reading Eric Fischl’s Bad Boy

I am reluctant to finish this book, which has captivated, inspired and challenged me over the last several days. I am fascinated by Fischl’s ability to transcend social, personal, and art market obstacles to adhere to a conviction about his work that seems nearly heroic to me. It helps, of course, that almost from the beginning of his study at CalArts in the early 70s, he had the support and confidence of others whom he respected, even when they thought his work was not the direction art was going. He persevered and the work he produced since that time has a unity which he understands and intelligently articulates.

Fischl’s adherence to his singular vision¬†makes me aware of the ways I have found to conceal the rawness of my own experiences instead of showing their naked truth in my ¬†images. I am able to be fully exposed in my poetry, but I have not had the courage to make similarly honest images.

Meanwhile, my dreams are intense right now in response to Fischl’s book, calling up events and images that are demanding that I find a way to create them. Besides the courage, which I hope I will find, I need materials, space, and time. Is it time to apply for a grant again? Is there any point? Somehow, I know I will find a way to do this work. I know because I always have.


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